VOL. I. pag. 142, &c.
VOL. I. pag. 142, &c.
In GRAECIS Operibus, nemo sub mutulo denticulos constituit, &c. Quod ergo supra Cantherios & Templa in Veritate debet esse collocatum, id in Imaginibus, si infrà constitutum fuerit, mendosam habebit operis rationem. Etiamque ANTIQUI non probaverunt, neque instituerunt, &c. Ita quod non potest in Veritate fieri, id non putaverunt in Imaginibus factum, posse certam rationem habere. Omnia enim certâ proprietate, & à veris NATURAE deductis Moribus, traduxerunt in Operum perfectiones: & ea probaverunt quorum explicationes in Disputationibus rationem possunt habere VERITATIS. Itaque ex eis Originibus Symmetrias & Proportiones uniuscujusque generis constitutas reliquerunt. Vitruvius, lib. iv. cap. 2. whose Commentator Philander may be also read on this place. See above, VOL. I. pag. 208, 336, &c. 340, 350, &c. And below, pag. 259, 260.
This is the HONESTUM, the PULCHRUM, τὸ καλόν, on which our Author lays the stress of VIRTUE, and the Merits of this Cause; as well in his other Treatises, as in this of Soliloquy here commented. This Beauty the Roman Orator, in his rhetorical way, and in the Majesty of Style, cou'd express no otherwise than as A Mystery. HONESTUM igitur id intelligimus, quod tale est, ut, detractâ omni utilitate, sine ullis praemiis fructibusve, per seipsum possit jure laudari. Quod quale sit, non tam definitione quâ sum usus intelligi potest (quanquam aliquantum potest) quam COMMUNI omnium JUDICIO, & optimi cujusque studiis, atque factis a qui permulta ob eam unam causam faciunt, quia decet, quia rectum, quia honestum est; etsi nullum consecuturum emolumentum vident.
Our Author, on the other side, having little of the Orator, and less of the Constraint of Formality belonging to some graver Characters, can be more familiar on this occasion: and accordingly descending, without the least scruple, into whatever Style, or Humour; he refuses to make the least Difficulty or Mystery of this matter. He pretends, on this head, to claim the Assent not only of Orators, Poets, and the higher Virtuosi, but even of the Beaux themselves, and such as go no farther than the Dancing-Master to seek for Grace and Beauty. He pretends, we see, to fetch this natural Idea from as familiar Amusements as Dress, Equipage, the Tiring-Room, or Toy-shop. And thus in his proper manner of SOLILOQUY, or Self-Discourse, we may imagine him running on: beginning perhaps with some particular Scheme or fansy'd Scale of BEAUTY, which, according to his Philosophy, he strives to erect; by distinguishing, sorting, and dividing into Things animate, in-animate, and mixt: as thus.In the IN-ANIMATE; beginning from those regular Figures and Symmetrys with which Children are delighted; and proceeding gradually to the Proportions of Architecture and the other Arts.—The same in respect of Sounds and MUSICK. From beautiful Stones, Rocks, Minerals; to Vegetables, Woods, aggregate Parts of the World, Seas, Rivers, Mountains, Vales.—The Globe.—Celestial Bodys, and their Order. The higher Architecture of Nature.—NATURE her-self, consider'd as in-animate and passive.In the ANIMATE; from Animals, and their several Kinds, Tempers, Sagacitys, to Men.—And from single Persons of Men, their private Characters, Understandings, Genius's, Dispositions, Manners; to Publick Societys, Communitys, or Commonwealths.—From Flocks, Herds, and other natural Assemblages or Groups of living Creatures, to human Intelligencys and Correspondencys, or whatever is higher in the kind. The Correspondence, Union and Harmony of NATURE her-self, consider'd as animate and intelligent.In the MIXT; as in a single Person, (a Body and a Mind) the Union and Harmony of this kind, which constitutes the real Person: and the Friendship, Love, or whatever other Affection is form'd on such an Object. A Houshold, a City, or Nation, with certain Lands, Buildings, and other Appendices, or local Ornaments, which jointly form that agreeable Idea of Home, Family, Country.—And what of this? (says an airy Spark, no Friend to Meditation or deep Thought) What means this Catalogue, or Scale, as you are pleas'd to call it?
Only, Sir, to satisfy my-self, That I am not alone, or single in a certain Fancy I have of a thing call'd BEAUTY; That I have almost the whole World for my Companions; and That each of us Admirers and earnest Pursuers of BEAUTY (such as in a manner we All are) if peradventure we take not a certain Sagacity along with us, we must err widely, range extravagantly, and run ever upon a false Scent. We may, in the Sportsman's Phrase, have many Hares afoot, but shall stick to no real Game, nor be fortunate in any Capture which may content us.
See with what Ardour and Vehemence, the young Man, neglecting his proper Race and Fellow-Creatures, and forgetting what is decent, handsom, or becoming in human Affairs, pursues these SPECIES in those common Objects of his Affection, a Horse, a Hound, a Hawk!—What doting on these Beautys!—What Admiration of the Kind it-self! And of the particular Animal, what Care, and in a manner Idolatry and Consecration; when the Beast beloved is (as often happens) even set apart from use, and only kept to gaze on, and feed the enamour'd Fancy with highest Delight!—See! in another Youth, not so forgetful of Human Kind, but remembring it still in a wrong way! a φιλόκαλος a lover of the beautiful of another sort, a CHAEREA. Quàm elegans formarum Spectator!—See as to other Beautys, where there is no Possession, no Enjoyment or Reward, but barely seeing and admiring: as in the Virtuoso-Passion, the Love of Painting, and the Designing Arts of every kind, so often observ'd.—How fares it with our princely Genius, our Grandee who assembles all these Beautys, and within the Bounds of his sumptuous Palace incloses all these Graces of a thousand kinds?—What Pains! Study! Science!—Behold the Disposition and Order of these finer sorts of Apartments, Gardens, Villas!—The kind of Harmony to the Eye, from the various Shapes and Colours agreeably mixt, and rang'd in Lines, intercrossing without confusion, and fortunately co-incident.—A Parterre, Cypresses, Groves, Wildernesses.—Statues, here and there, of Virtue, Fortitude, Temperance.—Heroes-Busts, Philosophers-Heads; with sutable Mottos and Inscriptions.—Solemn Representations of things deeply natural.—Caves, Grottos, Rocks.—Urns and Obelisks in retir'd places, and dispos'd at proper distances and points of Sight: with all those Symmetrys which silently express a reigning Order, Peace, Harmony, and Beauty!—But what is there answerable to this, in the MINDS of the Possessors?—What Possession or Propriety is theirs? What Constancy or Security of Enjoyment? What Peace, what Harmony WITHIN.—Thus our MONOLOGIST, or self-discoursing Author, in his usual Strain; when incited to the Search of BEAUTY and the DECORUM, by vulgar Admiration, and the universal Acknowledgment of the SPECIES in outward Things, and in the meaner and subordinate Subjects. By this inferior Species, it seems, our strict Inspector disdains to be allur'd: And refusing to be captivated by any thing less than the superior, original, and genuine Kind; he walks at leisure, without Emotion, in deep philosophical Reserve, thro' all these pompous Scenes; passes unconcernedly by those Court-Pageants, the illustrious and much-envy'd Potentates of the Place; overlooks the Rich, the Great, and even the Fair: feeling no other Astonishment than what is accidentally rais'd in him, by the View of these Impostures, and of this specious Snare. For here he observes those Gentlemen chiefly to be caught and fastest held, who are the highest Ridiculers of such Reflections as his own; and who in the very height of this Ridicule prove themselves the impotent Contemners of a SPECIES, which, whether they will or no, they ardently pursue: Some, in a Face, and certain regular Lines, or Features: Others, in a Palace and Apartments: Others, in an Equipage and Dress.—O EFFEMINACY! EFFEMINACY! Who wou'd imagine this cou'd be the Vice of such as appear no inconsiderable Men?—But Person is a Subject of Flattery which reaches beyond the Bloom of Youth. The experienc'd Senator and aged General, can, in our days, dispense with a Toilet, and take his outward Form into a very extraordinary Adjustment and Regulation.—All Embellishments are affected, besides the true. And thus, led by Example, whilst we run in search of Elegancy and Neatness; pursuing BEAUTY; and adding, as we imagine, more Lustre, and Value to our own Person; we grow, in our real Character and truer SELF, deform'd and monstrous, servile and abject; stooping to the lowest Terms of Courtship; and sacrificing all internal Proportion, all intrinsick and real BEAUTY and WORTH, for the sake of Things which carry scarce a Shadow of the Kind.
Supra, VOL. II. pag. 394, &c. and VOL. I. pag. 138, &c. and pag. 337.
Viz. Treatise III. (ADVICE to an Author) VOL. I.
Viz. In Treatise IV. (The INQUIRY, &c.) Vol. II.